3

In which Vikram Seth is (possibly) Drunk and Arundhati Roy asks Who I Am

The room is bathed in a red light reflecting off from the neatly laid out chairs and tables covered in red linen. The stage is lit, the podium is set, with a placard in front of it reminding everyone what this evening is about. It is the posthumous launch of Editor Unplugged, the autobiography ‘sequel’ of Journalist & Outlook Founder & Editor-in-Chief, Vinod Mehta.

AloneI walk in dressed in red corduroy pants (and a non-committal black & white tee), unaware then of being co-ordinated with the color of the night. My friend is waiting, with his brand new camera around his neck, waiting for her and him. She is a woman with a Man Booker Prize. He is A (bi-sexual) Suitable Boy. She is launching the book. He is going to read from it. They are the reason I’m not attending a string music festival that night at a garden across town.

IMG_20150331_185404771My friend ventures out into the thin crowd to thrust his camera unabashedly into the faces of attendees, only the remotely famous ones. I stand in a corner, watching him, wondering what wine they’ll be serving. And then she walks in, clad in a plain saree (is it light brown, with a green tinge, or does it bear the shade of dust in Delhi?). It is paired with a gold and green blouse that fits so well I want to ask her where she got it stitched. The saree is from “a small shop in Meherchand Market”, she’ll be telling gushing ladies later that evening.

IMG_20150331_195449800By now I’ve smiled at other guests, the kind of smile that simply acknowledges another human being, strangers though they may be. I’ve had a glass of white wine (of indeterminate origin, since the waiter does not know and I’d have to walk to the bar to find out, and well, let’s leave it be because it’s a nice drink on a fine evening). And then he walks in, with a non-polythene packet from the publisher (with the book inside I presume) and his mother on his arm. He’s short. He’s wearing a blue blazer and you can see that his hair will soon leave him. Some already have.

IMG_20150331_200348576After greeting certain other guests, they run into each other and smile, politely. They’re not friends. They’re here for respective roles in the book launch drama.

He’s called in first to read a passage from the book. He walks to the podium with the book packet in one hand and a glass of red (Merlot?) wine in the other. The audience will need theirs too. The reading is boring to say the least, irreverently mis-pronounced to say it all. In his drunken slur, ‘rummaging’ becomes ‘scrummaging’, silent pauses are deafening, not poignant and while he raises an arm to settle sparse but flowing locks, we all forget the man that we’ve gathered together to celebrate. And everyone claps.

“Vinod was in love with me.” She is looking in the distance as she talks about the editor who published her copious politically-incorrect essays that got both of them into trouble. My eyes dart towards the gentleman’s wife seated at the table near the stage. I can’t see her face. “We were partners.” She continues in a similar vein, taking everyone along on a walk through her years working with a man she believed stood for ‘fearless journalism’. Perhaps there are tears, if only a hint. But it now feels like an obituary in prose, befitting the event.

She smiles as she walks away from the podium and the guests are encouraged to wine and dine (with finger food). I wonder if I should ask her to write something in my book, not her book, but the one I’ve been reading. It’s from the 18th century so I presume she wouldn’t be miffed. Watching her I imagine she would smile even if she was miffed. I ask my friend if I should do it and he wants to click our picture together instead.

She is standing next to me and smiling at the camera. This is all quite neurotic (with an unhealthy sprinkling of thrill).

“And who are you”, she asks.

“I’m Manika.”

She goes back to smiling at me, at the camera and again at everyone else in this garden party book launch, before making a royal exit, the first for the night.

We follow soon after, less royally, leaving behind one of the many worlds that seem wonderful at a distance, are a tad humorous up close, and are positively entertaining if you’re watching from the sidelines, preferably with a witty partner and/or fine wine.

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2

This is the End

Manika Dhama, a Metro-loving poet and writer, had a great fall at the Rajiv Chowk Metro station in Central Delhi early Monday morning. It did not end well. Witnesses noted that she missed a step while poring over “a fat book”. The staff have since identified it to be Rebecca West’s Black Lamb and Grey Falcon.

Ms Dhama was a lover of dusty libraries and bitter coffee. Her little known blog Eggfacemomhead carried stories from her life as a Delhi woman, poet and mother, some of which had been published in local newspapers. An avid traveler and amateur photographer, she had only recently discovered the Joy of Cooking (both the book and the act).

“She was always giving us relationship and work advice”, said a colleague on the phone from Ms Dhama’s Delhi office.

Condolences continued to pour in from her 200 Facebook friends, 48 Instagrammers and 106 Twitter followers. A comment on a picture of Ms Dhama and her three year old daughter reads, “She looks just like you. Can’t believe you’re gone!” It got 184 likes.

Ms Dhama is survived by a large and loving family, a home library and about half a dozen unfinished writings.

Don’t cry for me just yet. This is a ‘self-obituary’ written for The Delhiwalla.

The series  invites Delhiites across the world to write their obituary in 200 words. The idea is to share with the world how you will like to be remembered after you are gone. (May you live a long life, of course!) Please mail your self-obit to mayankaustensoofi@gmail.com.